A logo with the initials MS

PORTFOLIO

DATA PROJECTS

UX PROJECTS

p5.js

PERFORMANCES

GRAPHIC DESIGN

DATA PROJECTS

Exercises in (Re)Generation: Selfhood in Writing and Data

This paper aims to understand the ways that technological tools, specifically machine learning and generative computer programs, are used and the corresponding ethical implications and consequences from these uses. These tools, increasingly integrated in the way we communicate and interact, ultimately affect the view of the self. Considering the prevalence and availability of these tools, first we discuss machine learning as an innovation: what it is, how it works, and what it is actually doing. More specifically, we delve into the groups of people that are adversely affected by these technologies, from pointed attacks on niche communities in the training of models to widespread effects as we reveal the environmental effects of the global data centers required for the upkeep of these programs. As machine learning and generative computer programs can be used in a way that usurp artists’ work through the training process of these programs, I conducted my own experiments in machine learning and created an artistic piece in hopes to model imperfect solutions to using the innovation. A writer and a performer, I aim to use my art to make sense of the world that we live in and endeavor to let others in through my work. By immersing myself in the process of interface design, data cleaning, and the creation of basic machine learning and computer generation models, a key component of the developing world, I aimed to reduce the opacity of these programs and how they work as I incorporated them into my own artistic practice. Ultimately, it is up to the creator, of an artwork or of a computer program, to take ownership and accountability of these programs and their outputs. Machine learning, as it has its hooks in different aspects of society, acts as a mirror to society that affects self-formation, moving into the discussion of the origins of the study of selfhood and theories of how to view the self. I employ discussions of Dialogical Self Theory to illustrate my view of the self that permeates my piece, The HyperText Translation Portal. This research and my artistic practice open up the door for more experimentation in machine learning and poetry. 

 

READ THE FULL PAPER

What Still Lingers

I wrote an audio piece called “The Funeral of What Still Lingers,” a process to help people let go and get rid of their kept digital data that is stored in the cloud. Throughout our lives, we forget how much we are holding onto when it is kept in digital storage. Hard drives of pictures and old essays and the people we used to be. We also forget that it has a corresponding effect on the environment. The digital has transformed the way we archive and our relationship to our things. The above visualization is a result of conducting a data audit on every photo on my phone.

UX PROJECTS

NASA

ARISA Labs spearheaded an Eclipse Soundscapes Project where I conducted an accessibility audit of the citizen science site Zooniverse and provided low fidelity and high fidelity wireframes for their experiment.

NASA logo

RETRO//VRS

RETRO//VRS is the first luxury resale marketplace powered by blockchain, and I consulted their team by identifying a specific subset of users and reimagining their product based on their needs.

RETRO//VRS logo

p5.js

PERFORMANCES

GRAPHIC DESIGN

Event Postcards

Each postcard was designed for a specific event and contains digital illustrations I made.

Summer in the Mediterranean handdrawn postcard, views of the ocean and a cliffside town, lemons in the top left corner
Spring in Southeast Asia postcard, glowing lanterns and southeast asian motifs on top of a purplish background
Magazine style postcard for Winter in the Swiss Alps, handdrawn snowboarder with a Swiss town in the reflection of her large goggles
Friendsgiving postcard with strings of cranberries, oranges, and rosemary garlands
Camp postcard with camera, patches, notebook, and pennant flag that says Delulu

 

let’s get in touch

EMAIL

INSTA

LINKEDIN

A logo with the initials MS

PORTFOLIO

DATA PROJECTS

Forest green circle used to space the text

UX PROJECTS

Forest green circle used to space the text

p5.js

Forest green circle used to space the text

PERFORMANCES

Forest green circle used to space the text

GRAPHIC DESIGN

DATA PROJECTS

Exercises in (Re)Generation: Selfhood in Writing and Data

This paper aims to understand the ways that technological tools, specifically machine learning and generative computer programs, are used and the corresponding ethical implications and consequences from these uses. These tools, increasingly integrated in the way we communicate and interact, ultimately affect the view of the self. Considering the prevalence and availability of these tools, first we discuss machine learning as an innovation: what it is, how it works, and what it is actually doing. More specifically, we delve into the groups of people that are adversely affected by these technologies, from pointed attacks on niche communities in the training of models to widespread effects as we reveal the environmental effects of the global data centers required for the upkeep of these programs. As machine learning and generative computer programs can be used in a way that usurp artists’ work through the training process of these programs, I conducted my own experiments in machine learning and created an artistic piece in hopes to model imperfect solutions to using the innovation. A writer and a performer, I aim to use my art to make sense of the world that we live in and endeavor to let others in through my work. By immersing myself in the process of interface design, data cleaning, and the creation of basic machine learning and computer generation models, a key component of the developing world, I aimed to reduce the opacity of these programs and how they work as I incorporated them into my own artistic practice. Ultimately, it is up to the creator, of an artwork or of a computer program, to take ownership and accountability of these programs and their outputs. Machine learning, as it has its hooks in different aspects of society, acts as a mirror to society that affects self-formation, moving into the discussion of the origins of the study of selfhood and theories of how to view the self. I employ discussions of Dialogical Self Theory to illustrate my view of the self that permeates my piece, The HyperText Translation Portal. This research and my artistic practice open up the door for more experimentation in machine learning and poetry. 

 

READ THE FULL PAPER

What Still Lingers

I wrote an audio piece called “The Funeral of What Still Lingers,” a process to help people let go and get rid of their kept digital data that is stored in the cloud. Throughout our lives, we forget how much we are holding onto when it is kept in digital storage. Hard drives of pictures and old essays and the people we used to be. We also forget that it has a corresponding effect on the environment. The digital has transformed the way we archive and our relationship to our things. The above visualization is a result of conducting a data audit on every photo on my phone.

UX PROJECTS

NASA

ARISA Labs spearheaded an Eclipse Soundscapes Project where I conducted an accessibility audit of the citizen science site Zooniverse and provided low fidelity and high fidelity wireframes for their experiment.

NASA logo

RETRO//VRS

RETRO//VRS is the first luxury resale marketplace powered by blockchain, and I consulted their team by identifying a specific subset of users and reimagining their product based on their needs.

RETRO//VRS logo

p5.js

PERFORMANCES

GRAPHIC DESIGN

Event Postcards

Each postcard was designed for a specific event and contains digital illustrations I made.

Summer in the Mediterranean handdrawn postcard, views of the ocean and a cliffside town, lemons in the top left corner
Spring in Southeast Asia postcard, glowing lanterns and southeast asian motifs on top of a purplish background
Magazine style postcard for Winter in the Swiss Alps, handdrawn snowboarder with a Swiss town in the reflection of her large goggles
Friendsgiving postcard with strings of cranberries, oranges, and rosemary garlands
Camp postcard with camera, patches, notebook, and pennant flag that says Delulu

 

let’s get in touch

EMAIL

INSTA

LINKEDIN

A logo with the initials MS

PORTFOLIO

DATA PROJECTS

Forest green circle used to space the text

UX PROJECTS

Forest green circle used to space the text

p5.js

Forest green circle used to space the text

PERFORMANCES

Forest green circle used to space the text

GRAPHIC DESIGN

DATA PROJECTS

Exercises in (Re)Generation: Selfhood in Writing and Data

This paper aims to understand the ways that technological tools, specifically machine learning and generative computer programs, are used and the corresponding ethical implications and consequences from these uses. These tools, increasingly integrated in the way we communicate and interact, ultimately affect the view of the self. Considering the prevalence and availability of these tools, first we discuss machine learning as an innovation: what it is, how it works, and what it is actually doing. More specifically, we delve into the groups of people that are adversely affected by these technologies, from pointed attacks on niche communities in the training of models to widespread effects as we reveal the environmental effects of the global data centers required for the upkeep of these programs. As machine learning and generative computer programs can be used in a way that usurp artists’ work through the training process of these programs, I conducted my own experiments in machine learning and created an artistic piece in hopes to model imperfect solutions to using the innovation. A writer and a performer, I aim to use my art to make sense of the world that we live in and endeavor to let others in through my work. By immersing myself in the process of interface design, data cleaning, and the creation of basic machine learning and computer generation models, a key component of the developing world, I aimed to reduce the opacity of these programs and how they work as I incorporated them into my own artistic practice. Ultimately, it is up to the creator, of an artwork or of a computer program, to take ownership and accountability of these programs and their outputs. Machine learning, as it has its hooks in different aspects of society, acts as a mirror to society that affects self-formation, moving into the discussion of the origins of the study of selfhood and theories of how to view the self. I employ discussions of Dialogical Self Theory to illustrate my view of the self that permeates my piece, The HyperText Translation Portal. This research and my artistic practice open up the door for more experimentation in machine learning and poetry. 

 

READ THE FULL PAPER

What Still Lingers

I wrote an audio piece called “The Funeral of What Still Lingers,” a process to help people let go and get rid of their kept digital data that is stored in the cloud. Throughout our lives, we forget how much we are holding onto when it is kept in digital storage. Hard drives of pictures and old essays and the people we used to be. We also forget that it has a corresponding effect on the environment. The digital has transformed the way we archive and our relationship to our things. The above visualization is a result of conducting a data audit on every photo on my phone.

UX PROJECTS

NASA

ARISA Labs spearheaded an Eclipse Soundscapes Project where I conducted an accessibility audit of the citizen science site Zooniverse and provided low fidelity and high fidelity wireframes for their experiment.

NASA logo

RETRO//VRS

RETRO//VRS is the first luxury resale marketplace powered by blockchain, and I consulted their team by identifying a specific subset of users and reimagining their product based on their needs.

RETRO//VRS logo

p5.js

PERFORMANCES

GRAPHIC DESIGN

Event Postcards

Each postcard was designed for a specific event and contains digital illustrations I made.

Summer in the Mediterranean handdrawn postcard, views of the ocean and a cliffside town, lemons in the top left corner
Spring in Southeast Asia postcard, glowing lanterns and southeast asian motifs on top of a purplish background
Magazine style postcard for Winter in the Swiss Alps, handdrawn snowboarder with a Swiss town in the reflection of her large goggles
Friendsgiving postcard with strings of cranberries, oranges, and rosemary garlands
Camp postcard with camera, patches, notebook, and pennant flag that says Delulu